The art of public speaking
What does it take to write a speech? Is there a certain method for planning an oration? Or do the best speeches start with an artistic vision, a willingness to be unique?
After preparing speeches regularly for over two decades (yes, before I joined Toastmasters in 1991), I believe that I am qualified to weigh in on this issue. My perspective is this: a speech may be planned methodically, according to rote, and the audience may applaud and say sweet things. The best speeches, however, require a brisk measure of artistry. The speaker must bring a special zing quality to the speech that is unique to the speaker.
The delivery of a speech is an act of theater. Each time a speech is delivered, the speaker must respond uniquely to the qualities of the audience and the environment. In addition, the speaker may be over-caffeinated, depressed over a lost job, or madly in love with a hottie in the second row. Internal and external factors combine to make each speech performance a unique occasion.
In addition, I believe that speakers eventually find their unique voice. The speaker's voice is a combination of manner, unique perspective, and a decision to bring the audience to a unique place. The voice of an experienced speaker has the capacity to raise audiences to their feet and applaud in recognition of a compelling message. The voice of a speaker is earned after speaking to varied audiences over a period of years. I would guess that a speaker's voice takes ten years of intentional practice before it emerges. What do you think?
I have helped many people work on their speaking skills. After evaluating hundreds of speeches in clubs and contests, I think that one prepares a speech by any means that works, when one starts. Begin with a script and photos of your trip to Texas, if this helps you begin. Novice speakers may rely on mechanical, arbitrary methods to start the process. The art of speaking is not mechanical, however the intelligent speaker should find a starting point. Eventually the speaker will discover the art of the process of speech-making if one persists.
Some things will help a speaker find their art and voice. A caring mentor will be helpful, as will the determination to speak regularly. I have discovered that I make my biggest breakthroughs in speaking after I take a risk. I dread breaking new ground in my speaking. It is particularly when I hear my inner voice trying to convince me not to give a speech, and I still give the speech anyway, at that moment I think I have learned the most.
I have learned to have fun with my speeches even if my audience doesn't get the point. That perspective, my inner resolve to enjoy the experience, has helped me go forward. I have seen the butterflies rise in formation. I have decided to dance with the butterflies.
If you are a public speaking artist, you likely can recognize other artists by their distinctive voice. No one can fake the authentic quality of the artist.
After preparing speeches regularly for over two decades (yes, before I joined Toastmasters in 1991), I believe that I am qualified to weigh in on this issue. My perspective is this: a speech may be planned methodically, according to rote, and the audience may applaud and say sweet things. The best speeches, however, require a brisk measure of artistry. The speaker must bring a special zing quality to the speech that is unique to the speaker.
The delivery of a speech is an act of theater. Each time a speech is delivered, the speaker must respond uniquely to the qualities of the audience and the environment. In addition, the speaker may be over-caffeinated, depressed over a lost job, or madly in love with a hottie in the second row. Internal and external factors combine to make each speech performance a unique occasion.
In addition, I believe that speakers eventually find their unique voice. The speaker's voice is a combination of manner, unique perspective, and a decision to bring the audience to a unique place. The voice of an experienced speaker has the capacity to raise audiences to their feet and applaud in recognition of a compelling message. The voice of a speaker is earned after speaking to varied audiences over a period of years. I would guess that a speaker's voice takes ten years of intentional practice before it emerges. What do you think?
I have helped many people work on their speaking skills. After evaluating hundreds of speeches in clubs and contests, I think that one prepares a speech by any means that works, when one starts. Begin with a script and photos of your trip to Texas, if this helps you begin. Novice speakers may rely on mechanical, arbitrary methods to start the process. The art of speaking is not mechanical, however the intelligent speaker should find a starting point. Eventually the speaker will discover the art of the process of speech-making if one persists.
Some things will help a speaker find their art and voice. A caring mentor will be helpful, as will the determination to speak regularly. I have discovered that I make my biggest breakthroughs in speaking after I take a risk. I dread breaking new ground in my speaking. It is particularly when I hear my inner voice trying to convince me not to give a speech, and I still give the speech anyway, at that moment I think I have learned the most.
I have learned to have fun with my speeches even if my audience doesn't get the point. That perspective, my inner resolve to enjoy the experience, has helped me go forward. I have seen the butterflies rise in formation. I have decided to dance with the butterflies.
If you are a public speaking artist, you likely can recognize other artists by their distinctive voice. No one can fake the authentic quality of the artist.
Your voice is your identity in sound. It is far more than just a means with which to communicate your thoughts and feelings. it is the expression of your intergrity and individuality in the world! -Stewart Pearce from his book 'The Alchemy of Voice".
Being real means just being here. Standing before people in an open, vulnerable way without roles or masks or expectations of any kind.We connect with people just as we are right now. And receive their support. Our priority is to be completely present with them, and to let whatever we say come out of that relationship.- Lee Glickstein from his book 'Be Heard Now'.
Both authors have been involved in communication for many years. Both present their own unique perspective on speaking. Both provide a road to inner balance,harmony, boost self confidence, colour and energy to self expression.
Speak well.
Always.
Stefan Petra
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Steve,
I love your elegant expression of the journey as a "dance with the butterflies!" As I read your post, I found myself thinking of an orchestra. Each musician probably has their score memorized, but it's not the notes that matter. It's not even that they are played that matters. Instead, it's HOW they are played that gives rise to the voice - indeed, the collection of voices - that draw us closer to the message. Thank you for a fabulous post! Hugs.
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The more I've learned, the more I've come to appreciate the gaps in my knowledge. Performing in an orchestra and a band is one of the new delights I've experienced these last few years. Yes, every person brings a unique perspective, and special contribution to our efforts. Good leaders find ways to harmonize the contributions of quite different people. We can do this in music, and in changing the world. I appreciate you Jack!
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I totally agree with everything you write here, Steve. As a theatrical performer turned public speaker, I can attest to the need for the "zing". In my "SPEAK UP!" workshops, I simply call it energy. For me, the quality and intensity of energy is the alpha and omega of a good presentation. What you say and how you say it grows out of the energy you're willing to put into it.
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Heather, I am sure your workshops are transformational experiences! We all gain when we extend our limits of what we are willing to offer others without the fear of feeling foolish or being too outrageous. I like your comments on energy, very true observations.
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I forgot to say that I like your expression "to dance with the butterflies". My own expression is "The butterflies help you fly."
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